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Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.
The charismatic criminal Dobermann, who got his first gun when he was christened, leads a gang of brutal robbers. After a complex and brutal bank robbery, they are being hunted by the Paris police. The hunt is led by the sadistic cop Christini, who only has one goal: to catch Dobermann at any cost.
Prohibited from seeing her actor sweetheart Herman Brandt (Ricardo Cortez) by her tyrannical parents, sweet young Vienesse lass Mariette (Anita Louise) defies authority by regularly visiting Brandt's downstairs apartment. The lovers' signal is a song called "The Firebird," which Brandt sings whenever he wants Mariette to visit him. When the actor is murdered, poor Mariette and her parents are prime suspects. But the truth is a bit more complicated than that, involving as it does a haughty aristocrat (Veree Teasdale), a powerful diplomat (Lionel Atwill) and a most unusual "candid camera" device.
You wake up in a warehouse where a bunch of degenerates is willing to execute you.
Her mother has just died. Her father is not what she had thought. Caught between an uncertain past, which she knows only through the photographs her mother has left behind, and the prospect of a marriage that she does not really want, Elisa sets out to discover the truth. But will she recognize it when she finds it?
The secrets about unlocking the mysteries of consciousness by plant-drugs. The related chances and risks involved in this shamanism.